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January 30, 2010

The return of the Wittelsbach Diamond—or is it?

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Does the recutting of a famous gemstone—improving its luster and increasing its market value—fundamentally alter its identity as a historical artifact by erasing signs of use? Which temporary owners of an object get to decide whether and how to alter it, not to mention add their own names to its official title? Conservators erase layers of dirt and grime all the time, improving the appearance and condition of artworks prior to exhibition, reproduction, or sale; is such physical intervention different for other kinds of material objects? Like valued artworks, this stone has an impeccable provenance. Unlike an artwork, however, gems are rarely valued for their conditions of authorship; rather, diamonds are rare natural resources, transvalued as commodity and currency by means of human ownership as well as labor and markets. Yet while precious metals such as gold (which share these features) are particularly susceptible to physical transformation, diamonds are highly resilient—are famously “forever.” What added value—economic and cultural—will contemporary museum exhibits confer onto an already famous but long hidden treasure? Should the product of centuries of international circulation and exchange ever come to a rest, whether in private or public hands? Whose claims trump all others: Individuals? Lineages? Old money or new? Nations? The masses of museum-goers?

These questions and more are explored, if not quite answered, in this recent New York Times piece about the social biography of the world’s second most famous diamond, currently—but only briefly—on display at the Smithsonian Institution.

And here’s the related press release from the Smithsonian.

January 27, 2010

Gadgets at school

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This article on the BBC Technology website presents some of the latest gadgets designed for use in schools. It shows some of the new devices used for administering student attendence, interactive teaching and immersive teaching environments. As the school classroom becomes increasingly technologically sophisticated, how much do we really learn at school anyway? And what is wrong with the trusted ruler, compass and blackboard? Surely, these are questions to be asked by anthropologists.
Link: http://news.bbc.co.uk/newsbeat/hi/technology/newsid_8459000/8459207.stm

Graeme Were, UCL

January 16, 2010

Twitter and Facebook users respond to Haiti Crisis

An appeal to help victims of the Haiti earthquake is breaking all records, fuelled by the power of social media. The story here, and links to help, from the comfort of your own computer...

December 16, 2009

Truth is often stranger than fiction in the art world

Truth:

Adopt a Dot!

This year one of the Art Institute's most beloved paintings, Georges Seurat's A Sunday on La Grande Jatte—1884, is 125 years old. Help us celebrate by adopting one of the dots that compose this masterpiece!

When you adopt a dot, you will receive a commemorative button pin in one of six colors chosen from the painting as well as a card describing the location of your dot. In addition, your adoption will support the museum's conservation and curatorial departments that work tirelessly to keep the museum's entire collection dazzling and fresh for many future generations!

Adoption fees are $10 for one dot, $25 for three dots, and $50 for all six colors. Adopt one for yourself or give one to friends or family this holiday season! To adopt a dot, simply call (312) 499-4111 or fill out this form and mail it, along with payment, to the address at the bottom of the form. Forms can also be faxed to (312) 499-4175. Orders with payment must be received by December 17 to ensure proper time for delivery by December 24.

Dots can also be purchased in person at the museum if you want to be sure to have your dots in hand for stocking stuffers!

Fiction

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December 2, 2009

Information as visual culture

Check out this story from the BBC about making information visual rather than textual...

November 13, 2009

Deconstructing Cinema

Interesting article in the NY TImes about the work of Ken Jacobs, experimental film-maker whose work focuses on the materiality of film and its after effects and distortions.

The Nervous Magic Lantern is a variation on a proto-cinematic machine, dating from the Renaissance or earlier, called the magic lantern, a device for projecting images. By the mid-17th century, it was popular enough that the diarist Samuel Pepys bought one “to make strange things on a wall.” Mr. Jacobs, a leading figure in American avant-garde cinema, has been making strange things shudder and writhe on screens for more than half a century. The germ for the Nervous Magic Lantern dates back to his earlier device, the Nervous System, a machine with two 16-millimeter projectors and a rotating shutter, on which he showed identical strips of film and with which he created optical effects, including an illusion of depth.

These manipulations were a continuation of a long preoccupation with cinema’s material properties as well as its effect on our heads and bodies. Born in Williamsburg, Brooklyn, in 1933, Mr. Jacobs watched movies like “Greed” at the Museum of Modern Art with a high school pass, studied painting with Hans Hoffman and bought a camera with the idea of doing “combat cinematography in the streets of New York.” With Jack Smith, a film and performance artist, he did just that, shooting Smith frolicking in shorts like “Little Stabs at Happiness” (1958-60). Mr. Jacobs once described another of these films, “Blonde Cobra” (1959-63), edited from footage shot by Bob Fleischner, as a “look in on an exploding life, on a man of imagination suffering prefashionable Lower East Side deprivation and consumed with American 1950s, ’40s, ’30s disgust.”


November 10, 2009

Quelle distinction?

A recent article in the Guardian by Associated Press writer Elaine Ganley comments on plans for a McCafé to be added to the Carrousel du Louvre food court of the world's most visited museum. What would Bourdieu have made of this?

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November 3, 2009

Claude Lévi-Strauss, 1908-2009

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Materialworldblog greatly regrets the passing of Claude Lévi-Strauss. For a series of comments, in French, on his life see Le Figaro, and an obituary here. As well as a note from Le Monde.

For a series of links to media commentary in English see the AAA blog, here.

October 7, 2009

A Virtual Home for Poland's Vanished Jews

In the Virtual Shtetl, there is no Tevye the Milkman. Gimpel the Fool doesn’t live there, either. And you won’t find Marc Chagall’s floating goats and violins.

There is no nostalgia to speak of — just facts. Google maps, detailed photos of dilapidated tombstones poking through the earth of forgotten cemeteries, scanned birth certificates, sepia-toned family photos of long ago weddings and sports matches.

An online project of the Museum of the History of Polish Jews — whose physical site will open in Warsaw in 2012 on ground where the ghetto once stood — Virtual Shtetl is an effort to collect this documentation and contribute to what the $150 million Polish initiative calls a “museum without barriers.” Using the participatory power of Web 2.0 technology, the descendants of Polish Jews, together with today’s Poles, will work together on excavating the past of hundreds of communities where a rich Jewish life once existed.

http://www.forward.com/articles/115592/

http://www.sztetl.org.pl/?cid=15&lang=en_GB

June 28, 2009

Homeless World Cup

Lynn Jarvis
lynn@homelessworldcup.org

For those who haven't yet been able to make it to a Homeless World Cup, the documentary Kicking IT directed by Susan Koch and Jeff Werner and narrated by Colin Farrell is now available on DVD. The documentary, which premiered in January 2008 at the Sundance Film Festival and has appeared at a number of other doco film festivals since, recounts the experience of Cape Town 2006 Homeless World Cup.

In December 2008 we held our most successful Homeless World Cup to date in the spectacular surroundings of Melbourne's Federation Square. More than 100,000 people came to cheer 56 nations of homeless people from all over the world - as Afghanistan defeated Russia to become champions.

And for the first time we also held the Women's Homeless World Cup with 8 nations, won by Zambia. The government invested in a legacy of 30 football programmes for the 100,000 homeless people across Australia.

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There are life-changing effects for the players who compete at the Homeless World Cup. As we prepare for the 7th Milan 2009 Homeless World Cup 6th to 13th September, in the heart of one of the most football passionate cities on our planet, it is worth reflecting on what we have achieved to date:

- 100,000 homeless people have become football players since we started in 2003;
- 93% of players have a new motivation for life;
- Over 70% come off drugs, alcohol, get jobs, homes, education, training, become football players, coaches and social entrepreneurs;
- 71% continue to play football regularly
- Football projects have been triggered in over 70 nations, growing in effectiveness and reach, many now with national associations, homeless leagues and National Homeless Cups to select their national team.

Continue reading "Homeless World Cup" »

June 19, 2009

Sign Language

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The British newspaper The Telegraph has a fun picture gallery of strange signs and bizarre english from around the world, sent in by readers. It's actually a fascinating document of British tourists realizing the power of normativity when faced with exceptions and difference abroad, musing on bureaucratic ironies back home, and of course, the great sense of humor many signwriters display...

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April 27, 2009

And the Pursuit of Happiness

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Artist Maira Kalman has a new "blog" at the NY Times which is a combination of illustration and text focused on the theme of American democracy. In her first installment she visits the supreme court and meditates on the role of women in law. I relish the artwork, but her analysis pushes whimsy and fashion into serious issues. Her comment on people outside the court house protesting circumcision:

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This seems to me like a lost opportunity to expand the healthy tradition of political cartoons in broadsheet media into more than one freezeframe.....what kind of intervention is Kalman's work into the healthy tradition of satirical political "cartoons" in the newspaper?

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February 12, 1937, New York Herald-Tribune, "Qualifying Test For Supreme Court Jobs"

April 6, 2009

Whose father was he?

Aaron Glass, Bard Graduate Center, NYU

At the New York Times, Errol Morris, the documentary filmmaker, has been posting a new chapter in the fascinating story of a famous Civil War photograph from Gettysburg. It is an amazing tale of photography/media at the time, its use (among other artifacts) today in reconstructing life histories, the material culture of the Civil War, the productive intersection of archival and oral histories research, etc. Plus it's a very moving story. Well worth a look!

http://morris.blogs.nytimes.com/2009/03/29/whose-father-was-he-part-one/

March 6, 2009

India 'helped win Gandhi auction'

India says it helped a businessman buy belongings of Mahatma Gandhi at a controversial auction in New York.

Gandhi said his spectacles gave him "the vision to free India". The watch was given to him by Indira Gandhi. The plate and the bowl were the ones from which he took his last meal before he was murdered, Tushar Gandhi said. "The sandals he made with his own hands," Mr Gandhi said.

January 27, 2009

Auschwitz in decay

The former Nazi death camp of Auschwitz-Birkenau, where more than a million people were killed in World War II, faces an uncertain future. Pawel Sawicki of the Auschwitz Museum explains the problems of preserving the ageing and crumbling 191-hectare site, with limited funds at the BBC website.

December 28, 2008

NEW FASHION JOURNAL

Kaori O'Connor, Anthropology UCL

For all those who think fashion and textile studies have become over-theorised, over-historicised, too preoccupied with handicrafts or brands, too oriented towards consumption and above all too divorced from how clothes happen, this new journal that examines creative processes and practices in the context of new technology, the mass market and the global fashion industry will be extremely welcome.

Continue reading "NEW FASHION JOURNAL" »

December 26, 2008

Semantic Webs

Mark Ward, correspondent for BBC Technology News writes about the trials and tribulations of search engines for the world wide web. Metatomix builds a database known as a semantic ontology, which attempts to capture how all the different parts of an organisation understand a particular thing.

And CKelty on Savage Minds, highlights the development of a "browser for black people":
http://savageminds.org/2008/12/17/let-freedom-ring-from-your-navigation-toolbar/

November 26, 2008

The Fate of the Jolika Collection hangs in the balance.

Full update to the story here

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October 9, 2008

Materialising the economic crisis

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I had to post something about the current economic meltdown expanding rapidly around the globe and was struck by this little piece of material culture of debt. The BBC reports that the clock marking the growing US deficit has run out of zeros...

October 7, 2008

'Captain Cook' boomerang row rebounds on Christies


An interesting article in the Times the other week covers the controversy surrounding the auction of an Australian Aboriginal boomerang which was put up for sale as one originally collected by Captain Cook. The construction of the object's pedigree may remind blog readers of Raymond Corbey's study of tribal art auctions - 'Tribal Art Traffic' ( Royal Tropical Institute, Amsterdam, 2000).

The story can be found by clicking the following link>http://www.timesonline.co.uk/tol/news/world/article4829992.ece

Continue reading "'Captain Cook' boomerang row rebounds on Christies" »

October 6, 2008

Is the Cellphone kosher?

The BBC investigates the ways in which ultra-orthodox Jews fit cell phone and internet technology into the framework of keeping kosher. Full story here

September 20, 2008

On collectors, collections and financial obligations....

The Jolika Collection, promised to the De Young Museum by collectors John and Marcia Friede has also been put up as collateral in a feud over the family's inheritance. The ownership status of the collection is now in question. Read the story here

September 9, 2008

Bye bye Barn

Vanishing barns signal a changing Iowa.

This article from the NY Times focuses on the disappearance of barns in Iowa as an indication of the decline of farming communities and is and interesting critique of rural american culture through the lens of the changing built environment.

Link and heads up from Maya Valladares, Hunter College/Brooklyn Museum of Art

August 3, 2008

Energy boom in West threatens Indian Artifacts

Ancient sites are threatened by prospecting for fuel in the US, reports the NY Times...

July 6, 2008

China’s Legacy: Let a Million Museums Bloom

This year, Holland Cotter writes, in a drive to promote awareness of China’s national heritage, the government introduced a free-admission policy at the country’s public museums...

But the look of anxious exasperation on the face of a curator watching crowds of schoolchildren swarm through a gallery of ancient ceramics here on a recent morning told a different story. They touched every exposed surface, leaned on glass cases and smeared them with fingerprints. Body contact and the art experience seemed to be inseparable.

A running joke is that once only a few people came to these institutions to see the art; now many will come, not for the art but for the air-conditioning.

"chinese" art museums are "different" in their materiality and audience participation to those in the "west"...

http://www.nytimes.com/2008/07/04/arts/design/04museums.html?hp

Check out also this interactive slide show and audio guide:
http://www.nytimes.com/interactive/2008/07/03/arts/design/Cotter-China-multimedia1/index.html

June 23, 2008

A Life for sale - on ebay...

http://alife4sale.com/

June 16, 2008

What is treasure hunting? What is archaeology?

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The latest newsletter from SAFE (Saving Antiquities for Everyone) challenges the recent admittance of Harrisson Ford (aka Indiana Jones) to the Board of Directors of the Archaeological Institute of America...

Archaeologist Dr. Oscar Muscarella, outspoken critic of the antiquities trade and the plunder of archaeological sites, objects to the recent election of Harrison Ford-of Indiana Jones fame-to the Board of Directors of the Archaeological Institute of America (AIA). AIA is North America's oldest and largest non-profit organization devoted to archaeology, and according to the AIA website, "the legendary archaeologist Indiana Jones ... shows his commitment to real archaeology." However, according to Dr. Muscarella, Indiana Jones is not an archaeologist, but a plunderer.

And lest we think that Dr. Muscarella's is an isolated opinion, consider a recent statement (lohud.com) by Mark Rose, online editorial director for the Archaeological Institute of America, who also holds a PhD in archaeology: "There are codes of ethics in archaeology, and I don't think [Indiana Jones] would be a member [of the profession]. Not in good standing, anyway." Professor Bob Murowchick, associate professor of archaeology at Boston University, bemoans the fact that "the movies emphasize the tomb-raiding aspect, leaving the impression that artifacts are there for the taking by whoever stumbles on them first.... The one thing we do worry quite a bit about is the looting aspect, because archaeological looting is really a serious issue," Professor Murowchick said.

It's ironic, as the Associated Press's David Germain points out, that "the closest thing to authentic archaeology in the "Indiana Jones" flicks is done by the bad guys, whose elaborate, systematic digs in 'Raiders' resemble actual excavations." Dr. Jane MacLaren Walsh, an anthropologist for the Smithsonian Institution's National Museum of Natural History, agrees. "Not a whole lot of what we know as archaeology goes on in these movies, except what the Nazis do. They seem to be doing some real archaeological work," Walsh said.

Is Indiana Jones a plunderer? Do Indiana Jones movies legitimize plunder and/or treasure hunting?


Take the poll on SAFE's blog SAFECORNER and tell us what you think. Add your voice to the discussion on this important issue.

June 14, 2008

Art Booty in London's East End

Art lovers descended on London's Brick Lane on the week end of June 7-8 in search of some bargains at Europe's coolest car boot sale.

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photo by Linda Nylind


From the Guardian Unlimited

June 10, 2008

After 100 Years, Tribe’s Ancestors Head Home

The AMNH has repatriated, out of the confines of NAGPRA, human remains belonging to the Tseycum First Nation, of British Columbia...

http://www.nytimes.com/2008/06/10/nyregion/10remains.html?ex=1213761600&en=53bb9c6f211e4d13&ei=5070&emc=eta1


June 1, 2008

National Treasures stolen from MOA

The Museum of Anthropology at the University of British Columbia has been devastated by the theft on Saturday, May 24, 2008 of 15 objects, including 12 pieces by the renowned late Haida artist Bill Reid. Read more> http://www.moa.ubc.ca/art-theft/

March 19, 2008

A city that sat on its treasure's but didn't see them...

A Story in the NY TImes about Le Corbusier chairs in Chandigarh and some shifty market shenanigans... (link passed on with thanks from Miriam Basilio)

http://www.nytimes.com/2008/03/19/world/asia/19chandigarh.html?ex=1206590400&en=23228c637beb1978&ei=5070&emc=eta1

January 22, 2008

Where statues go to die?

Good article about the demise of statues of famous despots by David Cannadine...

http://news.bbc.co.uk/2/hi/uk_news/magazine/7196530.stm

Statues to the mighty are erected as permanent monuments. But those regarded as heroes by one political regime are often denounced as villains by the next, their statues left unloved or toppled and carted off to the wilderness.

November 21, 2007

Textile Conservation Centre (TCC) Under Threat

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It came as a shock within the museum world to learn of the proposed closure of the Textile Conservation Centre in Winchester. The TCC is one of the world’s leading centres in textiles research, conservation and development. Having merged with the University of Southampton in 1999, it offers a range of postgraduate courses in textiles studies and applied textiles arts, and is considered by museum and conservation professionals to be a centre of excellence in this field. Even with a track record for high level publications by leading scholars of conservation and textiles research, and innovative research projects such as the AHRC-funded Concealed Garments project, the University of Southampton proposes to close the TCC on financial grounds in 2009.

For further details:
http://www.icon.org.uk/index.php?option=com_content&task=view&id=632&Itemid=15

To sign petition:
http://petitions.pm.gov.uk/TCCClosure/

October 16, 2007

Unclaimed baggage


Great story on the BBC about the 1,000,000 people a year that visit the unclaimed baggage repository in Scottsboro, Alabama, where you can view, and purchase, the luggage that is never claimed.

Finders Keepers

DO NOT fail to check out their website:

Unclaimed Baggage: Lost treasures from around the world

October 9, 2007

US man seeks change for $1m bill


A man who handed over a counterfeit million-dollar bill to a cashier at a Pittsburgh supermarket and asked for change has been arrested....

http://news.bbc.co.uk/2/hi/americas/7036098.stm

October 4, 2007

The Anne Frank Tree

Today it was announced:

http://news.bbc.co.uk/2/hi/europe/7027533.stm

that plans have been set in motion to preserve the Chesnut Tree that Anne Frank sought solace from during her confinement in hiding during World War Two. The tree has become an important materialisation of Anne herself...and a way of thinking through poetically, the emotional aspect of her hiding...

Check out the website for the Anne Frank Tree, an interactive digital memorial to which you can add your own leaves to:

http://www.annefranktree.nl/index.aspx?lang=en
Part of the Anne Frank House website where there is also a webcam from which you can view the tree live, out of the same window that Anne did.

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May 4, 2007

materialworldblog - in the (NYU) news

Just wanted to share with our readers a short piece about the use of blogs in universities, which includes a description of material world blog...


http://www.nyu.edu/its/pubs/connect/spring07/

May 3, 2007

Musée du Quai Branly: the future or folly?

Graeme Were, UCL Museums & Collections

Since its opening last year, critics have declared Chirac’s museum of ‘primitive art’ in Paris – better known as the Musée du Quai Branly – as ill-judged, neo-colonial, and racist to list just some of the negative terms deployed. If those weren’t strong enough, the new museum has even been dubbed the ‘Musée des bogus arts’ (Fiachra Gibbons, The Guardian, 3 July 2006) and less flattering still, France’s answer to the Millennium Dome, but even more of a folly. Oh dear – could it get any worse? Yet amid the jibes and controversy, art critic Jonathan Jones of The Guardian (The Guardian 1 Nov 2006) courageously breaks rank and hails the new ethnographic museum to be a thrilling spectacle that rekindles that ‘spirit of amazement’ that our Enlightenment ancestors would have marvelled at. In view of his wholehearted endorsement of the museum, perhaps all this commotion could be put down to another case of French bashing by disgruntled Brits. Having received several invites to visit the museum, I finally took up the offer and decided to find out once and for all what the fuss was all about.

The Musée du Quai Branly stands on the Left Bank of the Seine on the Quai Branly not far from the Eiffel Tower. The museum itself is striking, designed by Jean Nouvel the French architect responsible for the Institut du Monde Arabe among other places. Situated amid a garden with meandering pathways, the museum immediately imposes its presence on the visitor as you enter it beneath raised stilts holding above cube-like structures painted in earthy colours. I was pleasantly surprised to see, as Jonathan Jones points out, there are long queues of people avidly waiting to get in.

Once entering the main museum entrance foyer, you are greeted by an elevated glass structure inside which contains musical instruments on open storage. This is incredibly impressive. However, one is left wondering whether this is merely an aesthetic touch or that the storage feature has become integrated into the display as a functioning visitor / collections space in an attempt to salvage them from dusty store rooms. A temporary exhibition space is located to the right, currently housing an exciting installation by African artist Yinka Shonibare as well as a major collection of New Ireland art from Papua New Guinea.

The main displays are located on the first floor. To reach this space, you follow a circular ramp which gradually winds around the musical instrument storage area and climbs upwards. As you walk along the elevated ramp, your senses are immediately stimulated by moving film images beamed onto the floor in front of you depicting indigenous performances accompanied with sounds coming at you from many directions. I found this captivating but uneasy about the thought of people trampling over the film footage.

On reaching the main area, visitors enter Oceania, one of the four continental sub-spaces that the floor is divided into (each space was divided by earth coloured walls – note no Europe). Okay, this may be problematic in that it is inherently ethnocentric, but for many visitors this is very logical – the same spatial arrangement was deployed in Liverpool’s World Museum to good effect. The space itself was also very crowded, reminiscent of my visit to the Velasquez exhibition at the National Gallery. But what struck me most in the Quai Branly was how the displays were set up. I found that the entire space was badly lit – it was in fact deliberately dark with lit cases to draw the visitor to the object. Minimal labelling accompanied the objects on display – this exhibition certainly fell into the aesthetic mode of representation.

Continue reading "Musée du Quai Branly: the future or folly?" »

May 1, 2007

Native leaders vent anger at opening

The Allied Tsimshiam Tribes of Lax Kw'alaams and Metlakatla are less than enthusiastic about the opening of an exhibition of objects from the Dundas Collection which was auctioned to much controversy at Sotheby's New York last Autumn. Fundraising efforts by Canadian Museums and Tribal groups failed to generate enough funds and the collection was eventually purchased by a Canadian Family in an attempt to 'repatriate' the artefacts. The Thompson family gathered together the other purchasers and arranged a national touring exhibition, but there is still a great deal of resentment at the fact that this valuable collection has been broken up into many parts and continue to circulate on the market.

The article from the Globe and Mail is reproduced in the continue reading section.

See also http://www.cbc.ca/arts/story/2006/10/06/dundas-collection-auction.html

Continue reading "Native leaders vent anger at opening" »

April 27, 2007

Rumors of cell phone deaths greatly exaggerated

From Chris Pinney, UCL Anthropology and Northwestern University:

An Example of the New American Orientalism, but raises interesting questions of the materiality of transmission. William Mazzarella's "Internet X-Ray: E-Governance, Transparency and the Politics
of Immediation in India" Public Culture 18(3) Fall 2006 has an interesting analysis of new technologies and 'rumour' in South Asia.

See the following news story from the Chicago Tribune, (full story pasted in the 'continue reading' section for those of you who are not registered):
http://www.chicagotribune.com/news/nationworld/chi-0704260009apr26,1,6246569.story?ctrack=1&cset=true

Continue reading "Rumors of cell phone deaths greatly exaggerated" »

April 21, 2007

Darwin, Creationism and Museums

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Tree of Life.A reproduction of the first-known sketch by Charles Darwin of an evolutionary tree describing the relationships among groups of organisms.The image was featured in Darwin, the most in-depth exhibition ever mounted on this highly original thinker.The exhibition ran from November 19, 2005, through August 20, 2006, at the American Museum of Natural History. © By permission of the Syndics of Cambridge University Library.

Last year my graduate students in the class Anthropology and Museums wrote a collective review of the Darwin Museum. It was a great exercise in using the material and visual configuration of an exhibition to think through broader issues about the intersections between science and the public. The review has just come out in the journal Museum Anthropology, and here is the introduction:

"When the exhibition, Darwin, opened at the American Museum of Natural History (AMNH) on November 19, 2005 there was a certain amount of trepidation in the air. One commentator noted “It isn’t very often that a mere visit to an exhibition counts as a political act, but that’s certainly how it feels these days as you mount the steps of the American Museum of Natural History.”1 Indeed, this sense of controversy and heightened politics ensured that the Museum failed to get any corporate sponsorship to support the exhibition and its development. However, anticipated picket lines, hate mail, and sabotage within the gallery failed to materialize publicly. Shortly after the exhibition opened, Judge John Jones ruled, against a school Board of Trustees in Dover, Pennsylvania, that it was unconstitutional to teach intelligent design as scientific theory in public schools, in turn successfully pushing aside serious legal consideration of Intelligent Design theory as a rival to Evolutionary theory in explaining the order and diversity of the natural world.

Rather than framing a controversy between sacred and secular knowledge, the Darwin exhibit at the AMNH asks a fundamentally different and difficult question: How do you display science qua science? If objects are the central tools that curators use to tell stories, what objects do you choose when displaying a scientific theory? This review seeks to ask how exhibitions such as Darwin produce, as well as represent, ideas about science as a particular kind of enterprise and practice, one dedicated to the progressive accrual of objective knowledge, able to transcend political tensions between sacred and secular knowledge in the present day. The review has emerged from a graduate seminar in the Program in Museum Studies at New York University, entitled Anthropology in and of Museums. Each member of the class visited the exhibition with a particular theme, problematic or issue in mind, which we then brought together during our seminar discussions and edited together into a single review. We aimed to use the tools available to us as museum anthropologists to critically unpack some of the structures of thought, display strategies, broader contexts and experiences of the exhibition. Our themes interrogated the exhibition from a number of different directions, asking what the exhibition could illuminate for us about the culture of science in the mid nineteenth century and today; the practice of science and of scientists; and the impact of spectacle, collections, materiality and technology (e.g. the museum complex) on both the production of science and its public representation. However, rather than undertaking intensive background research into these issues, we privileged the exhibition as a site of knowledge production—asking how the particular configuration of objects, images, text, and space facilitated our understanding of these issues."

The full review can be accessed via Anthrosource for those with subscriptions: http://www.anthrosource.net/toc/mua/2007/30/1

To balance this, we greatly enjoyed finding out more about the creation of a new Creationism Museum in the US.

You can find out more about the Creationism Museum by watching this You Tube clip:
you tube creation museum

And by going to the website http://www.answersingenesis.org/museum/

A recent critique can be found on:

http://www.truthdig.com/report/item/20070326_a_world_where_lies_are_true/

April 15, 2007

Even more disturbing auctions....

Following our ebay theme of disturbing auctions and reflectoporn, this story in the Guardian describes how a Cambridge student was banned from ebay after putting himself up for sale. Ebay countered that his "listing breached eBay's No Item policy and has been removed ... You may not list intangible items or items whose existence cannot be verified, such as ghosts, souls or spirits."...

Ebay bars man who advertised himself for sale

February 27, 2007

Speaking of the Oscars...

Ed Potton has written a great article on the materiality of production and political economy of the Oscar statuettes in the London TImes...

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The award for a polished bit of casting goes to...

December 21, 2006

Touch and Object Handling in the Context of Museums

UCL Museums & Collections is running a series of workshops exploring touch and object handling in the context of museums. This series is funded by the Arts and Humanities Research Council. The third workshop centres on ‘Touch and memory: the role of reminiscence’ – see details below:

Workshop 3: “Touch and memory: the role of reminiscence”
University College London
Archaeology Lecture Theatre
Friday 5th January, 2007, 10 am – 4 pm

Speakers:

  • Dr. Alberto Gallace, Department of Experimental Psychology, University of Oxford
  • Professor Mike Rowlands, Department of Anthropology, University College London
  • Emma Clarke, Head of Audience Development and Communities, Learning and Information Department, British Museum
  • Laura Phillips, Audience Development and Communities, Learning and Information Department, British Museum
  • Bernie Arigho, Director of Reminiscence Research and Development, Age Exchange

    To book a place and/or for further information contact Devorah Romanek on email: d.romanek@ucl.ac.uk

    Visit: www.ucl.ac.uk/museums/events

    FUTURE WORKSHOPS IN THIS SERIES

  • Therapeutic approaches to touch: Object handling and hospital patients
    Friday 2 February 2007, Royal London Homeopathic Hospital
  • Knowledge transfer in object handling: with specific reference to disadvantaged or
    underrepresented groups.
    Friday 2 March 2007, British Museum
  • End of project conference: Touch and the value of object handling
    Friday 4 May 2007, University College London

November 22, 2006

Hornsleth: identity cards, ethics, and 'art'

I read about this on the BBC this week and felt so uncomfortable I thought it was worth a post here:

The Danish artist Kristian von Hornsleth has drawn criticism from the Ugandan government from intervening in the state project to get everyone to have identity cards. He has offered pigs and goats to the inhabitants of one particular village in exchange for them taking his name in this process.

Storm over pig-for-name artist

At first I thought this was a provocative and interesting intervention into the issue of forcing citizens to conform to state regulated identity practices and materialities. Carrying federally recognized id cards is taken for granted in the USA but remains a contentious issues in the UK.

Then I went to the artist's website (http://www.hornsleth.com/). The open invitation of an exhibition of photographs of the Ugandan villagers is below:

display.php

I'm not sure if this really is a critique of materializing identity for state purposes or some bizarre megalomaniacal attempt to self-replicate throughout the African continent.

There are two really interesting articles in American Ethnologist of May 2006, both of which deal with the material tensions of state identity documents. Gaston Gordillo, in his paper The Crucible of Citizenship, starts from the observation of how many people he worked with in Argentina voluntarily showed him their identity documents over and over again. Holding and showing documents is an important part of claiming state legitimacy for indigenous peoples. Barbara Yngvesson and Susan Bibler Coutin, in their paper, Backed by Papers, have a more ambivalent relationship to the materialisation of identity in paper cards and its effects. Taken together both articles give depth to the shock-factor of Hornsleth's art project. Their abstracts and link to the journal may be found below:

The crucible of citizenship: ID paper fetishism in the Argentinean Chaco
Gastón Gordillo
In this article, I examine how indigenous people of the Argentinean Chaco have internalized their past alienation from citizenship rights through the fetishization of those objects long denied to them: identity (ID) papers. In the early 20th century, shortly after the Argentinean state’s military conquest of the region, government agents excluded these groups from hegemonic notions of nationality and citizenship because of their alleged savagery but simultaneously expected them to show written proofs of their reliability. In the following decades, this contradictory experience made many indigenous people view ID documents and other written records as objects with a force of their own, with the capacity to deflect state violence and shape major aspects of a group’s collective history. Drawing on the concept of “state fetishism,” I analyze the peculiarities of ID-paper fetishism in the Chaco by focusing on the historical and current experiences of the western Toba and the Wichí. In particular, I explore how Toba and Wichí views of ID papers include ideological forms of reification of social practice but also critical interpretations that capture the power dynamics involved in state documentation. [citizenship, fetishism, the state, identity papers, indigenous people, Toba, Wichí, Gran Chaco, Argentina]


Backed by papers: Undoing persons, histories, and return
Barbara Yngvesson and Susan Bibler Coutin
Deportations of long-term U.S. residents to El Salvador and roots trips that Swedish transnational adoptees make to their countries of birth attempt to reconnect individuals to their origins. As they (re)connect, however, such journeys dismantle, reconfiguring the original departure—emigration or adoption—in ways that can destabilize current, future, and past selves and the national and familial belongings in which these selves are embedded. By examining the paths and disjunctures that journeys “back” entail, we consider the significance of “return” for the production of legal knowledge. [adoption, deportation, law, return, El Salvador, Sweden, United States]

http://www.music.columbia.edu/%7Ececenter/AES/ae332.html

Haidy Geismar, NYU (with thanks to Josh Bell for discussion about the AE articles)