"Garbage Warriors" CE Review
Classmates, I pasted my review of Michael Reynolds insightful documentary "Garbage Warriors" here. Please let me know your thoughts.
Daniel
Daniel Bloch Jeydel
September 27, 2008
Environmental Studies
Professor Leah Schwartz
Review of Community Event: Garbage Warriors
On September 26, 2008 the documentary “Garbage Warrior” (2007) was shown at NYU Wagner’s Urban Planning Institute. The International Public Service Association and the Urban Planning Student Association sponsored this screening. The screening was casual with about twenty graduate students in a conference room snacking on grapes and popcorn. The tone of the event was intellectual with students critiquing the proposals of the piece and jovial as the film delivered, at times, many very funny comments on the coming together of American architecture with the present and future conditions of the environment.
“Garbage Warriors” focuses on the convictions of an environmentally progressive architect, Michael Reynolds, and his thirty-year journey to try to promote sustainable housing in New Mexico and around the world. The documentary chronicles the challenges that Reynolds has encountered for the design of his EarthShips, which are self-sufficient houses that do not need to be on electrical, sewage or water grids, and his efforts to popularize such a daring approach in the context of building and house construction. The film focuses on Reynolds’ steadfast belief that contemporary architecture is antediluvian and is not “directing us in a way that is sustainable.” Reynolds maintains the belief that the planet is running out of water, oil and energies and designs his structures in preparation of a near-apocalypse whereby everyone will need to be self-reliant in order to survive.
While his assessments for the future may be bleak, his designs certainly are inspiring. An EarthShip relies upon the warmth that can be stored by thermal mass and circulated throughout the space. As opposed to modern insulation techniques, Reynolds and his team use garbage (ranging from tires to mayonnaise jars) to firmly pack land that is able to retain heat year round. To add aesthetics to his projects, his ingenuity extends to his recycling of plastic bottles to make faux stained glass that often line the domes of his projects. While his structures are very unusual in terms of their designs, picture hippies living with the Jetsons, the Ships are able to function off the grid with very little costs. These Ships come included with irrigation so that one can cultivate gardens and raise animals all while using energies from the sun and wind to power the house into the 21st century.
The film takes a turn from happy adventures to serious problems as it chronicles a period that was very challenging for Reynolds. New Mexico sought to regulate the construction of EarthShips, and in doing so, to effectively shut Reynolds’ operation down. The state argued that some of the projects were unsafe, despite waivers being signed by residents that they accepted the dangers of “experimental housing”; while Reynolds believed that the utility companies that were against his endeavors, as it would put them out of business, propelled the blocks. While the truth probably lies in the middle, an important message from the movie is that it shows that environmentalists really have to be warriors to gain authority and to change a world that is so convinced in its established ways. Reynolds, raised as a Baptist, admires Noah who had the foresight to build an ark in the dessert, despite the fact that everyone in his community thought he was crazy. Needless to say, Noah war right to build that ark, and Reynolds is very sure that he is correct to fight for environmentally neutral houses around the world, regardless of their legality.
This was a new experience for me as I was placed in a room with architects, engineers and urban planners that were my senior by almost ten years. At the conclusion of the film, we all came back together and spoke about the legal problems that Reynolds encountered in New Mexico. I felt comfortable expressing my anger that Reynolds, whose projects are full of challenges in themselves, also had to fight against the government which should encourage ingenuity and not seek to suppress it. We also spoke about the practicality of having the EarthShips in New York City. While it makes sense now, I was surprised that these Ships would have a great deal of trouble in the island of Manhattan. For instance, I learned that the rainwater that the houses collect would not be drinkable in New York as the rain pulls down the smog and particulate matter that hovers over cities. In addition, the solar panels that the EarthShips rely on are in an exact ratio per Ship. Thus, the biggest issue for designing an EarthShip in NYC would be the issue of stacking the houses on top of one another and to have enough power from perhaps just 40 sq ft to energize several stories. Indeed, there are many challenges for bringing these designs to the city that never occurred to me.
Another focal point of the movie was that when Reynolds was prohibited to work in the United States, he left American and sought to aide the victims of the tsunami in the Bay of Bengal in 2004. In India, his designs were encouraged and adored by the hundreds of locals that built their own EarthShips by using local garbage and infusing them with Indian design. These houses allowed for drinking water, irrigation and shelter for large families without the disturbances of government regulation that, according to Reynolds, stymies progress. It is striking that a developing country would be able to embrace such progressive techniques, whereas in America, many cannot grasp the potentially dire circumstances that the world may be under in the near future. As a group, we reiterated our belief that all options must be put on the table for the sake of having comfortable and reasonably sustainable living situations for the sake of posterity and longevity. In a certain sense, this approach was very inspiring for all of us as we recognized the fact that those in the room do have the potential to improve architectural standards around the world.
The event certainly added value to the community as it enabled us, in a very casual setting, to study ingenuity and to appreciate the struggle that it takes in the 21st century to bring about needed change. The Wagner School film screenings are part of a series that focuses on environmentalism and urban planning and is certainly something that I highly recommend for those that want to think differently about the panoply of directions that we can pursue in what will be a decisive era for the environment.
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