The Baghdad Billboard
Last week, I hauled massive boxes and overstuffed suitcases through the streets of New York City, desperately hoping my cram-packed belongings would not spill out onto the Manhattan pavement as I began the hectic process of moving into a new dorm building. After a year spent in the freshmen residence halls of NYU, I was more than happy to expand into an upperclassmen apartment-style living situation and found myself absolutely floored at the niceties of my latest accommodations. However, amidst all of the stainless steel appliances and ample living space so rare this side of the Brooklyn Bridge, the loveliness of my brand-new apartment found itself a terribly unforgiving reminder of the reasons why I was at New York University in the first place as "Halah, A Baghdad Teenager" stared at me through the screens of both her burqah and my blinds.
An advertisement posted by an anti-war non-profit, the enormous billboard that overlooks my building looms with the photograph of Halah, a university student in Iraq who has lost several family members as well as her chances for a decent future in the chaos that is her home country. Her eyes blacked out and the printed words seeming to stem from her voice allow the images to become much more than just a poster; the idea of Halah and her story form their own very strong identity. So each morning as I fumble with my curtains to keep the bright sun out for a few more minutes of slumber and every evening as I shut the blinds to hide from the city streets, Halah remains, her photo and words moving some part of my conscience around quite a lot for someone who is stuck as a picture on a billboard.
Last semester as a first-year undergrad, I spent a significant amount of time volunteering at an agency very nearby my new apartment. The organization, which treated immigrant and refugees who had been deeply affected by conflicts, seemingly carries close ties to the message that Halah's image is trying to create. So somehow, in this slice of New York City that holds both my social life, academic career, and daily situations, I still find myself surrounded with the faces of those I seek to one day assist after graduating from Silver School of Social Work.
Not many people would choose to wake up to the foreboding stare of Halah and the harrowing graphicness of the story that accompanies the advert. But as I made a slight complaint to a roommate recently about the sadness of the sight, I startled myself as I remembered that I am sure Halah did not choose to become a victim of battle and a bombed-out house. So while I do not know Halah, nor do I even know if she is a real girl barely surviving in the crisis zone that is Baghdad, I do know that together our lives are tied solely because her face happens to line the outside of my Manhattan window view. A reminder of the outside world, I suppose, but even more, a symbol of the Social Work connection.