Social Media for Social Change?: Professor Clay Shirky
It's safe to say that new digital media has altered the way we react to social issues. From Occupy Wall Street marches organized on Twitter and Facebook to the digitized SOPA and PIPA petitioning, social media has had a definite effect on how we protest. However, is this change for the better or for the worse?
Clay Shirky is an NYU professor of new media at Tisch and the Arts & Science Journalism Institute, and he is considered an expert on the affects of emerging digital media technologies on society and the economy.
On Monday this week, Professor Shirky was featured by National Public Radio speaking on how social media allows current events to be shared much more rapidly than traditional media. Shirky explains that such sharing initiates quick emotional responses that often cause the social media world to either bolster or denounce a given news item. And although online communication can quickly generate interest in a given topic, digital supporters of an issue are typically not as committed as traditional activists.
Take a look at the points raised by Professor Shirky and NPR's Audie Cornish in the interview below. (Or listen to the interview here.) And be sure to let us know what you think: Is social media good or bad for social change? Post a comment!
CORNISH: We've heard plenty about the role that Facebook in particular has played in the Arab Spring uprising. But over the past few months, social media have also led to a very different kind of revolution here at home. Late last year, a social media-fueled backlash forced Bank of America and Verizon both to drop proposed fees.
Last month, Congress found itself similarly flooded with complaints and reversed course on a pair of anti-piracy bills. Then, just last week, it was the breast cancer charity Susan G. Komen for the Cure backing off plans to cut funding to Planned Parenthood.
For more on what this all means, we're joined by Clay Shirky. He's a professor of New Media at New York University. Welcome, Clay.
CLAY SHIRKY: Thanks so much, Audie. Thanks for having me.
CORNISH: So, has social networking really made a difference or is it just ramping up the speed of things?
SHIRKY: Well, I think that those questions can't be asked in that way because faster is different. If you look back at, say, what Kate Hanni did with the Flyers Bill of Rights starting in 2006. She was the woman who was stuck on the tarmac for eight hours. Got enraged, started a political movement using, in the day, blogs and email to pressure Congress to alter their policy. That took her years to do that.
And you look at the Susan Komen thing and that took something like 48 hours to get them to reverse course on a fairly major decision. So, faster protests are different kinds of protests, in part because our emotions work much faster than our intellect. So, when you get people angry quickly, things can spread like wildfire, in a way that they can't on slower media.
CORNISH: Looking at the issues that we brought up - the Komen issue, Verizon, Bank of America...
SHIRKY: BoA.
CORNISH: Yeah, even the SOPA protest about anti-piracy bills. These issues are so different, but what is the common denominator in how those protests caught on?
SHIRKY: The common denominator is that the public has a medium in which they can synchronize real action on an issue, without requiring everybody to be activists in some kind of general ongoing way.
CORNISH: Which must be huge. I mean, if you think about standing on the street and trying to gather signatures for a petition. That's a lot less fun than just asking someone to post such and such a thing on their Facebook.
SHIRKY: Yes. And so not needing everyone to be a committed activist, to get them to decide to take action, is a big change. On the other hand, people can get on to issues much quicker but they can get off of those issues much quicker, as well. So it's actually a very different dynamic.
CORNISH: Yeah, and what's the danger of that? Because, you know, after Komen for the Cure, Super Bowl was the trending topic. It seems as though, you know, these waves can shift pretty rapidly.
SHIRKY: Right. No, absolutely. The danger is that the inconsistent attention that comes from a mass of people has some salutary effects for democracy, but also carry some risks. And the risks are that we get a set of policies that are entirely subject to the whims of people's readily activated emotions.
But the overall change has been that the people's potential oversight and involvement is simply at a higher level now, because everyone can see the outrage. And so, there's no way for the target of the outrage to sort of say, well, some people are calling us against us, but other people are calling us pro - so it's about even. Right? When the Susan Komen thing happened there was no way for Komen to stage-manage the issue.
CORNISH: That's Clay Shirky. He's a professor of new media at New York University. Clay, thanks so much.
SHIRKY: Thank you, Audie. Thanks for having me.






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The college search for me was very much a blur: applications going out, letters flying in. By the time all was said and done, I realized that going to college in a place that allowed me to explore myself mattered as much as my major. It’s funny how things work out. You can have a plan to be a biology major at a school in New Haven, Boston (well outside Boston) or any of those other places where people don’t actually say the name of the school, but sometimes the best thing to do is not follow a plan.
I would like to say I have a clear picture of myself in ten years, but there are some images that I just can’t visualize. Photography and journalism are experiencing tumult with the transition to digital media, and the ocean is in similarly troubled waters. The good news is powerful photography and poignant journalism continue to affect change in our world—so all I can hope to do is get a little closer to that level in the coming decade.
Well okay, maybe he's not a rock star just yet.
In his new book, 


The BQ executive board creates a small committee to be in charge of Dominican Independence Week at the University, which takes place during the month of February. When they advertised the committee positions, I decided to run for secretary, and won. From there, I remained in the organization and was eventually elected president for the 2010-2011 school year. Working with BQ also led me to become involved with L.U.C.H.A., for which I am currently president. From all of the work I have done with these organizations, there are three things that hold the most meaning for me. The first was reinstating and reviving the Latino Unity Conference (LUC) at the university. LUC is a student ran and organized conference and was an important part of L.U.C.H.A. in its prime years. It had not taken place at the university since 2007. The second was a celebration of the 40 years of L.U.C.H.A at NYU, for which we created the Fuerza Award, intended to commemorate and recognize the many faces that make LUCHA the powerful organization that it has become. The third, was receiving a 2011 President's Service Award on behalf of L.U.C.H.A. Overall, however, it has always been the small things, such as bringing people together, that motivate me the most and push me to continue onward with the work I do. 





































RP: I've always loved music and enjoyed creating it; it's been a part of my life for as long as I can remember. I knew that I might have a chance at becoming a professional musician at some point during my junior year of college; my friends, who were songwriters that I really respected, all really encouraged me and led me to believe that I was much better than I'd ever thought I was. For a long time, I was following a pretty conventional path. I played in a band, hung up flyers around the city, had club gigs in New York, then went on tour, doing the same sort of thing all over the country. While this was happening, I was also building a fanbase online, by interacting directly with music fans all over the world through social networking sites. Every person who wrote me a message would get a reply back, and I believe that level of personal contact made the fans more invested in the project. Before I knew it, I found myself in the middle of an honest-to-goodness grassroots movement. One fan became two fans, two became four, and so on, until my music had spread out all over the world.
The 2011 James Beard Foundation Awards took place earlier this week and we were thrilled to learn that Maricel Presilla (GSAS '79) was nominated for Best Chef- Mid-Atlantic. Maricel is a culinary historian specializing in the foods of Latin America and Spain. She holds a doctorate in medieval Spanish history from NYU and has received formal training in cultural anthropology. She writes a weekly food column for the Miami Herald and owns Zafra and Cucharamama, two pan-latin restaurants in Hoboken, New Jersey. In the fall, she will be opening Ultramarinos, a Latin American food store and cooking atelier, also in Hoboken.
Born in Caracas, Venezuela, Cesar graduated from New York University in 2010 with a Bachelors in International Politics. In 2007, he participated in the summer program of the Global Institute for Leadership & Civic Development in Prague Czech Republic, and served as Student Coordinator for the program in 2008. He participated in an NYU Alternative Spring Break Program in the Dominican Republic in 2007, and served as the trip’s Site Leader the following year. As a 2008 Catherine B. Reynolds Scholar in Social Entrepreneurship, he spent a summer interning for Miracle Corners of the World in Rwanda, overseeing the development of small enterprises and the construction of a community center. Cesar has traveled extensively throughout Europe, Africa and Asia, and enjoys the exploring the tastes of the world. 




